Rag'n'Bone Man - Human
0:01 Mid shot of man's torso
0:04 Shot begins to pull out
0:06 Close up of eye to chin, subject to the right of the frame
0:09 Mid to long shot of a man
0:12 Camera pulls out
0:13 Close up of entire face central to the frame (slowly zooms in) until..
0:25 Close up pulls out
0:27 Close up of faces
0:33 Close to mid shot of male from the side, subject to right
0:37 Close up of faces
0:41 Close to mid shot of central male
0:44 Close up of faces
0:45 Close to mid shot of male central to shot (side profile)
0:51 Mid shot of male torso
0:55 Close up of faces
1:02 Mid to long shot of male central to frame
1:04 Fast zoom/track shot into a close up of the male subject
1:05 Left to right tracking shot (Mid to close positioning with a finishing long shot)
1:07 Mid shot of female subject with dolly zoom
1:09 Mid shot of another subject with dolly zoom
1:10 Mid shot of another subject with dolly zoom
1:12 Close to mid shot rapidly tracks to left of subject
1:13 Close up of male subject with jilted up and down movement
1:14 Mid to close up of the male subject. Large level movement with a slight tilt towards 1:15.
1:16 Tracking shot from left to right of male subjects side mid/close profile.
1:17 Dolly zoom of various subjects from a mid level distance. All subjects central to the shot.
1:21 Slow zoom in to male subject (central to the screen), from mid to close up shot. Fourth wall broken through eye contact.
1:23 Resume of the dolly zooms. Again, mid level shots, Although the camera appears to slowly move out as opposed to moving towards and away form the subjects.
1:26 Mid shot zoomed to close up
1:30 Long shot with low level lighting. Hand held camera used.
1:32 Mid level shot of shoulders and up. Subject central to the frame.
1:34 Long shot of subject and wall, male to the right of the frame and out of focus. By 1:35, subject is in focus.
1:36 Extreme close up of hair/lips
1:38 Mid shot of male using a hand held camera slowly tracks in.
1:41 Tilted upwards mid shot
1:44 Close up, subject to the right of the frame.
1:45
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